Class No. |
Course ID |
Title |
Credits |
Type |
Instructor(s) |
Days:Times |
Location |
Permission Required |
Dist |
Qtr |
| 4885 |
MUSC-101-01 |
Basic Musicianship |
1.25 |
LEC |
Platoff,John |
MWF: 10:00AM-10:50AM |
AAC - 101 |
|
ART |
|
| |
Enrollment limited to 40 |
| |
NOTE: Simultaneous enrollment in one of the one-hour practicum sessions listed below is required. |
| |
NOTE: 8 spaces are reserved for first-year students. |
| |
An introduction to the melodic, rhythmic, and harmonic structure of tonal music, with the emphasis on the development of a chordal vocabulary equally adaptable to classical and popular music. A required weekly practicum will stress ear-training (recognition of intervals, chords, rhythms, etc.) and its practical applications at the keyboard. Prerequisite for Music 201, may not be counted toward the major in music. |
| 4909 |
MUSC-101-20 |
Basic Musicianship |
1.25 |
LAB |
Melson,Christine |
M: 1:30PM- 2:20PM |
AAC - 101 |
|
ART |
|
| |
Enrollment limited to 10 |
| |
An introduction to the melodic, rhythmic, and harmonic structure of tonal music, with the emphasis on the development of a chordal vocabulary equally adaptable to classical and popular music. A required weekly practicum will stress ear-training (recognition of intervals, chords, rhythms, etc.) and its practical applications at the keyboard. Prerequisite for Music 201, may not be counted toward the major in music. |
| 4911 |
MUSC-101-21 |
Basic Musicianship |
1.25 |
LAB |
Melson,Christine |
M: 2:40PM- 3:30PM |
AAC - 104 |
|
ART |
|
| |
Enrollment limited to 10 |
| |
An introduction to the melodic, rhythmic, and harmonic structure of tonal music, with the emphasis on the development of a chordal vocabulary equally adaptable to classical and popular music. A required weekly practicum will stress ear-training (recognition of intervals, chords, rhythms, etc.) and its practical applications at the keyboard. Prerequisite for Music 201, may not be counted toward the major in music. |
| 4913 |
MUSC-101-22 |
Basic Musicianship |
1.25 |
LAB |
Melson,Christine |
W: 2:40PM- 3:30PM |
AAC - 104 |
|
ART |
|
| |
Enrollment limited to 10 |
| |
An introduction to the melodic, rhythmic, and harmonic structure of tonal music, with the emphasis on the development of a chordal vocabulary equally adaptable to classical and popular music. A required weekly practicum will stress ear-training (recognition of intervals, chords, rhythms, etc.) and its practical applications at the keyboard. Prerequisite for Music 201, may not be counted toward the major in music. |
| 4915 |
MUSC-101-23 |
Basic Musicianship |
1.25 |
LAB |
Melson,Christine |
R: 2:55PM- 3:45PM |
AAC - 104 |
|
ART |
|
| |
Enrollment limited to 10 |
| |
An introduction to the melodic, rhythmic, and harmonic structure of tonal music, with the emphasis on the development of a chordal vocabulary equally adaptable to classical and popular music. A required weekly practicum will stress ear-training (recognition of intervals, chords, rhythms, etc.) and its practical applications at the keyboard. Prerequisite for Music 201, may not be counted toward the major in music. |
| 6619 |
MUSC-102-01 |
Trinity College Choir |
0.50 |
STU |
Rose,John |
MW: 4:30PM- 6:00PM MW: 4:30PM- 6:00PM |
AAC - 101 |
Y |
ART |
|
| |
Enrollment limited to 100 |
| |
The Trinity College Choir performs varied and challenging choral repertoire, in concert, each semester. Singers will also work on vocal techniques and related musicianship. Membership is by audition. |
| 4887 |
MUSC-105-01 |
Instrumental Ensemble |
0.50 |
STU |
Cancelled
|
Y |
ART |
|
| |
Enrollment limited to 40 |
| |
NOTE: Enrollment by audition. |
| |
Chamber ensembles are formed at the beginning of the semester to study and perform works from the classical repertoire. Permission is required; entrance by audition only. Every effort is made to group students with others at the same skill level. |
| 6837 |
MUSC-105-02 |
Instrumental Ensemble |
0.50 |
STU |
Curran,Nancy A. |
TBA |
TBA |
Y |
ART |
|
| |
Enrollment limited to 40 |
| |
Chamber ensembles are formed at the beginning of the semester to study and perform works from the classical repertoire. Permission is required; entrance by audition only. Every effort is made to group students with others at the same skill level. |
| 4889 |
MUSC-107-01 |
Lessons |
0.50 |
STU |
Kennedy,Patricia A. |
TBA |
TBA |
Y |
ART |
|
| |
Prerequisite: Music 101, which may be taken concurrently, or permission of the coordinator. |
| |
NOTE: Lessons cost an extra fee. Special registration takes place during the first two weeks of class. |
| |
NOTE: Please see Pat Kennedy for Permission to enroll. |
| |
Individual instruction in voice or an instrument is offered by teachers invited to the College campus; credit may also be granted for lessons taken from outside teachers who have been approved by the coordinator. Lessons require an extra fee. Fees for Lessons are $550 for eleven one-hour lessons, payable directly to the instructor.
Financial aid to cover instructors' fees is available on a limited basis to Trinity Grant students. To begin the registration process, you must first request the "Lessons Pre-Registration Questionnaire and Guidelines" from Pat Kennedy (pkennedy@trincoll.edu). |
| 4891 |
MUSC-109-01 |
Jazz Ensemble |
0.50 |
STU |
Allen,Kristopher D. |
M: 7:30PM-10:30PM |
AAC - 110 |
Y |
ART |
|
| |
Enrollment limited to 25 |
| |
NOTE: Enrollment by audition. |
| |
The Jazz Ensemble performs several times each year. Permission is required; membership is by audition. |
| 5411 |
MUSC-111-02 |
Samba Ensemble |
0.50 |
STU |
Galm,Eric A. |
M: 6:00PM- 7:15PM W: 6:00PM- 8:00PM |
AAC - 110 |
Y |
GLB1 |
|
| |
Enrollment limited to 20 |
| |
NOTE: Enrollment by audition. |
| |
Study and performance of Brazilian samba music. Emphasis is on the samba drumming tradition. Related musical styles and musical genres are also included. Previous performance experience is not required, and students may take this course for more than one semester. Membership by audition and permission of the instructor. |
| 4923 |
MUSC-119-01 |
Musical-Theater Production |
0.25 |
STU |
Moshell,Gerald |
TR: 7:00PM- 8:45PM TR: 7:00PM- 8:45PM |
AAC - 101 |
Y |
ART |
|
| |
Enrollment limited to 50 |
| |
NOTE: Students enroll on a show-by-show basis at the beginning of a show's production process. To do so, see the instructor to arrange for credit. Offered only Pass/Fail. |
| |
For departmental musical-theater productions, students may enroll on a show-by-show basis at the beginning of the show’s production process. To do so, see the instructor to arrange for credit. Offered only pass/fail. |
| 6942 |
MUSC-120-01 |
Acting in the Musical Theater |
1.00 |
STU |
Moshell,Gerald |
TR: 2:55PM- 4:10PM |
AAC - 101 |
Y |
ART |
|
| |
Enrollment limited to 15 |
| |
Musical-theatre acting is, in many ways, different from the technique and concerns of acting in non-musical plays. This course will train students in: the art of examining scripts and delivering dialogue onstage; utilizing one's singing abilities most effectively in the rendering of vocal material; handling oneself onstage, with respect to stage movement/awareness as well as the use of props and costumes; and issues involving auditioning and the selection of appropriate material. No previous training in music is required. Enrollment limited. Permission of the instructor is required. |
| 6940 |
MUSC-164-01 |
Mozart & 18th-C Music |
1.00 |
LEC |
Platoff,John |
MWF: 11:00AM-11:50AM |
AAC - 101 |
|
ART |
|
| |
Enrollment limited to 40 |
| |
An introduction to the life and music of Wolfgang Amadè Mozart (1756-1791). The course will also examine other composers of Mozart’s time, and consider the relationship between Mozart’s music and the main themes of Enlightenment thought in the 18th century. No previous training in music is required. |
| 4917 |
MUSC-202-01 |
Chromatic Harmonic Practice |
1.25 |
LEC |
Roman,Dan |
MWF: 10:00AM-10:50AM |
AAC - 104 |
|
ART |
|
| |
Enrollment limited to 12 |
| |
Prerequisite: Music 201 or equivalent. |
| |
NOTE: Simultaneous enrollment in the one-hour practicum listed below is required. |
| |
Further study of the harmonic practices of the 18th and 19th centuries, through part-writing exercises and the analysis of typical works. Weekly practicum sessions focus on the consolidation of skills in sight singing, dictation, and keyboard proficiency. Simultaneous enrollment in the one-hour practicum is required. |
| 4919 |
MUSC-202-20 |
Chromatic Harmonic Practice |
1.25 |
LAB |
Melson,Christine |
R: 1:30PM- 2:20PM |
AAC - 104 |
|
ART |
|
| |
Enrollment limited to 12 |
| |
Prerequisite: Music 201 or equivalent. |
| |
Further study of the harmonic practices of the 18th and 19th centuries, through part-writing exercises and the analysis of typical works. Weekly practicum sessions focus on the consolidation of skills in sight singing, dictation, and keyboard proficiency. Simultaneous enrollment in the one-hour practicum is required. |
| 5957 |
MUSC-208-01 |
Electronic MIDI & Computer Mus |
1.00 |
LAB |
Roman,Dan |
MW: 1:15PM- 2:30PM |
AAC - 104 |
Y |
ART |
|
| |
Enrollment limited to 12 |
| |
Prerequisite: Music 101 or permission of the instructor. |
| |
This course is intended for music students who want to acquire skills in the creation and production of modern electronic music through the use of computer hardware and software, including the incorporation of MIDI sequencing, electronic score editing, basic audio recording and mixing procedures, and audio sampling editing and manipulation. |
| 6457 |
MUSC-218-01 |
American Popular Music |
1.00 |
LEC |
Woldu,Gail H. |
TR: 1:30PM- 2:45PM |
AAC - 101 |
|
ART |
|
| |
Enrollment limited to 40 |
| |
NOTE: 10 seats reserved for first-year students |
| |
A broad survey of popular musics in the United States from the late 19th century to the present. We will explore blackface minstrelsy, the music of Tin Pan Alley, ragtime and big band jazz, early blues and country music, post-war pop singers, the evolution of rock and roll, rhythm and blues and soul, folk music, alternative music, hip-hop, and MTV and the popular mainstream. Themes of music and identity, multi- cultural sources, the business of music, and the influence of technology will be followed throughout the course. No previous background in music is required. Also listed in American studies. |
| 7160 |
MUSC-220-01 |
Human Rights and Music |
1.00 |
LEC |
Galm,Eric A. |
MW: 2:40PM- 3:55PM |
AAC - 101 |
|
ART |
|
| |
Enrollment limited to 25 |
| |
This course highlights the role of music in relation to human rights throughout the world. Material to be covered includes theoretical approaches towards the study of human rights and how music can serve as an important indicator of diverse social relationships in various contexts. It will also compare and contrast historical and cultural aspects of musical movements that were strongly connected to human rights in countries and regions such as Latin America and the Caribbean, the United States, South Korea, and South Africa. |
| 5577 |
MUSC-274-01 |
Jazz: 1900-Present |
1.00 |
LEC |
Allen,Kristopher D. |
TR: 10:50AM-12:05PM |
AAC - 101 |
|
ART |
|
| |
Enrollment limited to 40 |
| |
NOTE: 10 seats reserved for first-year students |
| |
Through listening, discussion, and reading, this course will survey the development of jazz from ragtime and pre-jazz through New Orleans swing, be-bop, and modern jazz. Among composers and performers to be studied include Louis Armstrong, John Coltrane, Miles Davis, Duke Ellington, Scott Joplin, Thelonious Monk, Charles Parker, and Woody Shaw. No previous training in music is required. |
| 4921 |
MUSC-311-01 |
History of Western Music I |
1.00 |
SEM |
Woldu,Gail H. |
TR: 9:25AM-10:40AM |
AAC - 104 |
|
ART |
|
| |
Enrollment limited to 12 |
| |
Prerequisite: Music 201 or equivalent. |
| |
An intensive survey of the development of musical style in Europe through the analysis of selected works from the music of the Greeks to the mid-18th century. Composers to be studied include Machaut, Josquin Desprez, Monteverdi, Handel, and Bach. |
| 5683 |
MUSC-313-01 |
Music of the 20th Century |
1.00 |
SEM |
Platoff,John |
WF: 1:15PM- 2:30PM |
LIB - MUS&MED |
|
ART |
|
| |
Enrollment limited to 16 |
| |
Prerequisite: Music 202. |
| |
An intensive survey of the developments in musical style from the late-1890s to the present day, primarily in Europe and the Americas. This course will synthesize historical studies of the composers and their times, and analytical approaches to their compositional practices. |
| 6213 |
MUSC-399-01 |
Independent Study |
0.50 - 2.00 |
IND |
TBA |
TBA |
TBA |
Y |
|
|
| |
Enrollment limited to 100 |
| |
Submission of the special registration form, available in the Registrar’s Office, and the approval of the instructor and chair are required for enrollment. |
| 6019 |
MUSC-415-01 |
Special Studies |
0.50 - 1.00 |
IND |
TBA |
TBA |
TBA |
Y |
ART |
|
| |
Enrollment limited to 100 |
| |
Individual or group study and research on a selected topic under the guidance of a member of the faculty in music. Permission granted only to advanced students. Submission of a completed independent study form, available in the Registrar’s Office, and the approval of the instructor and chair are required for enrollment. |
| 6459 |
MUSC-420-01 |
Adv Top:Debussy, Faure,&Ravel |
1.00 |
SEM |
Woldu,Gail H. |
TR: 10:50AM-12:05PM |
AAC - 104 |
|
ART |
|
| |
Enrollment limited to 12 |
| |
Prerequisite: Music 312. |
| 6215 |
MUSC-466-01 |
Teaching Assistantship |
0.50 - 1.00 |
IND |
TBA |
TBA |
TBA |
Y |
|
|
| |
Enrollment limited to 100 |
| |
Submission of a the special registration form, available in the Registrar’s Office, and the approval of the instructor and chair are required for enrollment. |