Class No. |
Course ID |
Title |
Credits |
Type |
Instructor(s) |
Days:Times |
Location |
Permission Required |
Dist |
Qtr |
| 6949 |
AHIS-161-01 |
Intro History of Architecture |
1.00 |
LEC |
Triff,Kristin A. |
TR: 1:30PM- 2:45PM |
TBA |
|
ART |
|
| |
Enrollment limited to 25 |
| |
A survey of the history of architecture from the ancient world to the present, focusing on Western Europe. Some themes that will be examined are: the classical tradition, the development of building technologies and structural systems, the urbanization of Europe, the influence of patronage, the introduction and mutability of building types, and changes in domestic interior life. The final weeks of the course trace the continuation of these themes in the America and the modern world. |
| 6894 |
AHIS-207-01 |
The Arts of China |
1.00 |
LEC |
Hyland,Alice R. M. |
TR: 9:25AM-10:40AM |
TBA |
|
ART |
|
| |
Enrollment limited to 25 |
| |
This course will focus on the arts of China from the Neolithic period through the Qing Dynasty (ca. 6000 B.C.E.-1850 C.E.) We will study art produced for burial, Buddhist temples, the imperial court, and the scholar elite. We will consider architecture, sculpture, painting, bronze, jade lacquer, and ceramics, placing the art within its historical context and identifying what makes it uniquely Chinese. This 200-level lecture survey course will require a paper, a mid-term, and a final examination. (May be counted towards International Studies/Asian Studies) |
| 6893 |
AHIS-232-01 |
Gothic&Ren Art North Eur |
1.00 |
LEC |
Cadogan,Jean |
MW: 1:15PM- 2:30PM |
TBA |
|
ART |
|
| |
Enrollment limited to 25 |
| |
Art and architecture in northern Europe from the late 12th to the 16th century, with emphasis upon high Gothic cathedrals such as Chartres and Amiens and upon painting and sculpture in France, the Low Countries, and Germany. |
| 5575 |
AHIS-236-01 |
High Renaissan Art Italy |
1.00 |
LEC |
Cadogan,Jean |
MW: 8:30AM- 9:45AM |
TBA |
|
ART |
|
| |
Enrollment limited to 25 |
| |
Italian painting, sculpture, and architecture from the end of the 15th century through the 16th century. Examines the work of the creators of the High Renaissance style, including Leonardo, Raphael, Michelangelo, and Titian. The emergence of mannerism in central Italy and its influences on North Italian and Venetian painters will also be explored. |
| 6950 |
AHIS-241-01 |
17th Cent Art I : The South |
1.00 |
LEC |
Triff,Kristin A. |
TR: 9:25AM-10:40AM |
TBA |
|
ART |
|
| |
Enrollment limited to 25 |
| |
This course traces the emergence of the Roman Baroque, from its origins as religious propaganda in the service of the Counter Reformation to other, more secular forms that evolved to serve the power of 17th-century monarchs and the ambitions of the aristocracy. Within the larger context of Roman Baroque, movements such as Classicism and Realism will be examined, as well as their later development in France and Spain. Artists to be studied include Bernini, Caravaggio, and Borromini in Italy; Poussin and Claude in France; and Velásquez and Zurbarán in Spain. |
| 6309 |
AHIS-252-01 |
18 Cent Art & Architecture |
1.00 |
LEC |
Gordon,Alden R. |
TR: 10:50AM-12:05PM |
TBA |
|
ART |
|
| |
Enrollment limited to 25 |
| |
This course will examine the major artists, patrons, critics, and art movements of Europe in the Age of the Enlightenment, with emphasis on the reflections in the arts of the political, social, and technological changes that marked this early modern era. In early 18th-century France, we will trace the significance of the Academie Royale in Paris, of the French academy in Rome, and of state patronage and critical support for royal portraiture, secular and religious painting and the theatrical landscapes. As well as the more liberal climate that fostered the French Rococo, naturalists genre and still life painting. In Italy, we will focus on Venice and the Grand Tour. After a brief look at Goya's early career and seminal student trip to Italy, we will consider the rise of satire, history painting, and portraiture in the 18th-century England. In conclusion, we will return to Paris to trace in its art, political, and social history the waning years of the ancient regime and the onset of the French Revolution. |
| 6311 |
AHIS-261-01 |
19th-Cent Painting & Sculpture |
1.00 |
LEC |
Lewis,Mary |
M: 1:15PM- 3:55PM |
TBA |
|
ART |
|
| |
Enrollment limited to 25 |
| |
A study of European painting and sculpture from the Romanticism of the late 18th century to the emergence of new directions at the end of the 19th century. The course is adapted each year to take advantage of major exhibitions. Museum visits and extensive readings will be integral to the makeup of the course. |
| 6307 |
AHIS-271-01 |
The Arts of America |
1.00 |
LEC |
Curran,Kathleen A. |
TR: 1:30PM- 2:45PM |
TBA |
|
ART |
|
| |
Enrollment limited to 25 |
| |
This course examines major trends in painting, sculpture, architecture, and the decorative arts in the United States from the colonial period to 1900. Emphasis will be placed on how the arts in the United States reflect the social and cultural history of the 18th and 19th centuries. |
| 4031 |
AHIS-283-01 |
Contemporary Art |
1.00 |
LEC |
FitzGerald,Michael C. |
T: 6:30PM- 9:00PM |
TBA |
|
ART |
|
| |
Enrollment limited to 25 |
| |
Following the Second World War, artists transformed the avant-garde tradition of their European predecessors to establish a dialogue with the mass media and consumer culture that has resulted in a wide array of artistic movements. Issues ranging from multiculturalism and gender to modernism and postmodernism will be addressed through the movements of abstract expressionism, pop, minimalism, neo-expressionism and appropriation in the diverse media of video, performance, and photography, as well as painting and sculpture. Current exhibitions and criticism are integral to the course. Art History 282 is recommended. |
| 5795 |
AHIS-286-01 |
Modrn Architectur:1900-Present |
1.00 |
LEC |
Curran,Kathleen A. |
TR: 10:50AM-12:05PM |
TBA |
|
ART |
|
| |
Enrollment limited to 25 |
| |
This course surveys broad developments in Western European and American architecture and urbanism from 1900 to the present. Topics include Viennese Modernism, the legacy of the Arts and Crafts movement, the Bauhaus, the International Style and the birth of Modernism, and reactions of the past 25 years. Close attention will be paid to such major figures as Le Corbusier, Frank Lloyd Wright, Walter Gropius, Mies van der Rohe, Louis Kahn, Robert Venturi and Frank Gehry. |
| 5835 |
AHIS-294-01 |
The Arts of Africa |
1.00 |
LEC |
Gilbert,Michelle V. |
M: 6:30PM- 9:00PM |
TBA |
|
GLB1 |
|
| |
Enrollment limited to 25 |
| |
An examination of the art and architecture of sub-Saharan Africa as modes of symbolic communication: the ritual context of art, the concept of the artist, the notion of popular art, and the decorated body. |
| 6895 |
AHIS-295-01 |
Afric Arch&Design Space |
1.00 |
LEC |
Gilbert,Michelle V. |
R: 6:30PM- 9:00PM |
TBA |
|
ART |
|
| |
Enrollment limited to 25 |
| |
This course examines the forms and symbolism of the house and settlement in sub-Saharan Africa and the ways architecuture and pottery, woodcarving, weaving, and body sacrification form a unity. Topics include landscape as history and invention; ethnicity, economics and patterns of settlement; sacred spaces, churches and mosques; royal palaces; the influence of Islam on buildings and sedentarization in West Africa; the colonial city and colonial monuments; the modern industrial and administrative city; building for status and razing for resistance. |
| 5441 |
AHIS-301-01 |
Major Sem Art Hist Meth |
1.00 |
SEM |
FitzGerald,Michael C. |
W: 1:15PM- 3:55PM |
TBA |
|
ART |
|
| |
Enrollment limited to 12 |
| |
Required of and limited to art history majors, as one of the first courses they take after declaring their major. Studies in the tradition and methodology of art historical research. Readings in classics of the literature of art history; discussions of major issues and meeting with scholars and museum professionals; students will pursue an active research project and present both oral reports and formal written research papers. |
| 6948 |
AHIS-306-01 |
Sem:Arts of the Ming Dynasty |
1.00 |
SEM |
Hyland,Alice R. M. |
W: 1:15PM- 3:55PM |
TBA |
|
ART |
|
| |
Enrollment limited to 12 |
| |
The arts flourished during the Ming Dynasty with the restoration of Chinese rule. The Imperial court patronized painters and supported ceramic production, especially undgerglaze blue painted porcelain. Architectural accomplishments included the Forbidden City in Beijing as well as Buddhist temples. The gardens of Suzhou remain among the finest in the world. Scholar-amateur painters subtly reworked earlier styles. Other significant areas of artistic excellence were sculpture, textiles, lacquer, furniture, and cloisonné enamel. (May be counted towards international studies/Asian studies.) |
| 7122 |
AHIS-357-01 |
Hist of Decorative Arts Europe |
1.00 |
SEM |
Gordon,Alden R. |
M: 1:15PM- 3:55PM |
TBA |
|
|
|
| |
Enrollment limited to 12 |
| |
The evolution of domestic interior architecture in the early modern period along with the rise of importation of new raw and finished goods from Asia, Africa and the Americas led to a dramatic elaboration of the decorative or useful arts in secular society. There was a parallel decline in the variety and richness of ritual objects used for ecclesiastical and monarchical settings. This course would consider the changes in institutions, trade, social mores and architectural settings that informed the creation of objects for everyday use and would study the specific craft traditions for woodworking, ceramics, textiles, precious metals, glass and stonework as they applied to the making of furniture, tapestry, food service, objects for personal hygiene, transportation, garden ornament, decorative objects, scientific instruments, mirrors, lighting fixtures, heating, clothing and jewelry.
The course would include required museum visits. |
| 6896 |
AHIS-372-01 |
Amer Domestic Interior |
1.00 |
SEM |
Dangremond,David W. |
W: 1:15PM- 3:55PM |
TBA |
Y |
ART |
|
| |
Enrollment limited to 10 |
| |
This course examines the interior architecture and decorative arts of the United States from the colonial period through the eclectic revivals of the 19th century and the reforms of the colonial revival and aesthetic movements at the turn of the 20th century. Themes such as the influence of foreign tastes, technological innovation, and social history on the evolution of rooms and their use will be examined. Consideration will also be given to the architects, craftsmen, and patrons who created them. Field visits to historic houses and decorative arts collection will be included. |
| 6193 |
AHIS-399-01 |
Independent Study |
1.00 - 2.00 |
IND |
TBA |
TBA |
TBA |
Y |
|
|
| |
Enrollment limited to 100 |
| |
Submission of the special registration form, available in the Registrar's Office, and the approval of the instructor and program director are required for enrollment. |
| 6195 |
AHIS-466-01 |
Teaching Assistant |
0.50 - 1.00 |
IND |
TBA |
TBA |
TBA |
Y |
|
|
| |
Enrollment limited to 100 |
| |
Submission of the special registration form, available in the Registrar's Office, and the approval of the instructor and program director are required for enrollment. |
| 6197 |
AHIS-497-01 |
Senior Thesis |
1.00 |
IND |
TBA |
TBA |
TBA |
Y |
|
|
| |
Enrollment limited to 100 |
| |
An individual tutorial to prepare an extended paper on a topic in art history. An oral presentation of a summary of the paper will be delivered in the spring term. Submission of the special registration form, available in the Registrar's Office, and the approval of the instructor and program director are required for enrollment in this single-semester thesis. (1 course credit to be completed in one semester.) |
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